Did anyone else come across the video for Bianca* Knowles’ “Video Phone” (song far inferior to decade-old precursor “Picture Phone” by the Sub Debs; so ya know) and choke on their Pepsi when the writhing Abu Ghraib prisoners appear, grinding their bodies against the curvaceous young singer’s supple form like so many Boschian incubi? I know that what’s really going on with the blue-hooded, dark-skinned men is that they were supposed to have their heads blue-screened out and replaced with cameras (as seen elsewhere in the video), but apparently they ran out of time, forgot to do this bit, or couldn’t figure out a good way to transition from the naked skin of the dancers to the CG camera. Hell, for all I know the director saw the effect and liked it. But there’s no way anymore to see an image like that and not flash, for a moment, to the guy standing on the box with the wires on his hands.
Combine that with the constant imagery of guns in the video and the presence of Lady Gaga who, like Saddam Hussein, is responsible for the deaths of thousands of Kurds, and you can’t help but see the whole piece as a teasing commentary on the repressed sexual desire that America sublimates into violence in general and news coverage of the Middle East wars in particular.
No idea what’s up with the weird homage to Tarantino at the start, tho.
Here is the video, embedded in much the same way that Geraldo Rivera was during the invasion of Iraq. Concidence? I think not:
-ssr
* I know what her name is. “Beyonce” looks to me like a phonetic spelling of how someone might pronounce “Bianca” if they had no idea how it’s actually meant to be said. Ha ha.
