Michael Moore Should Stick to Documentaries

Via Primer, came across Slashfilm’s compilation of reactions to Avatar from various nerd-film leading lights. Many are pleasantly gushy, though I’d frankly be more interested to read them when

A) The 3-D IMAX dopamine rush has worn off of these poor fellows and a few months’ time has restored some perspective and

B) The Oscar-quote/poster-quote/get-on-the-internet-hype-train vibe has worn off a bit.

Still, these are professional nerds who make nerdy movies for the entertainment of nerds, and perhaps their initial reaction is valuable if only to make an estimate of the immediate sensation the film might grant another nerd (i.e. me) should he choose to see it. That is to say, if all these guys are excited, maybe that’s a good sign.

But then, halfway through the list, Michael Moore (who apparently counts as nerdy based on his girth and glasses) lets loose this glistening nugget of a tweet:

“Go see Avatar – a brilliant movie 4 our times. Don’t worry if theater doesn’t have 3D – the 2D is awesome & it’s all about the story anyway!”

It kind of speaks for itself, but if you need it spelled out: the plot in Avatar is not what it’s all about. I already know the plot – without having seen the film – because it was delivered in its entirety in every trailer for the film. The plot is a contrivance that allows for the effects to be delivered. The plot is a cellophane-thin culture on which the visual trickery is grown. The plot is a familiar, slender bouquet of tropes on which you may comfortably hang your sense of understanding in order to anchor it in the face of a punishing visual assault.

I am not being mean or judgmental when I say these things; I don’t even mean it as a criticism, really. It’s just that kind of movie. Hell, it’s being marketed as that kind of movie. But if Michael Moore thinks that a $300 million 3-D sci-fi remake of Dances With Wolves is a movie for our times thanks to its story, he is off his ass.

-ssr

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